Friday, November 15, 2013

NextGen learns STAGE COMBAT with Casey Robinson

At our last meeting, the NextGen members were exposed to their first taste of stage combat with seasoned CSC fight choreographer Casey Robinson, who did the fight choreography for CSC's Romeo & Juliet, as well as the last Young Company show, Macbeth

Robinson began by telling members how every fight choreographer has their own method for teaching, and his involves the 4 S System, which includes…

Sightlines
Space
Shape
Sound

As well as the most important 5th S, Safety. After the NextGen members understood those basic principles, it was easy for them to quickly grasp a variety of different stage combat moves, first was a basic punch.
After learning a punch, the members went on to learn a slap. This move required them to use sound, and learn about using different kinds of “knaps.”

They also learned a kick that was featured in Romeo & Juliet.




Ten NextGen members cited their favorite move as being the hair pull, and the more advanced, hair pull and drag.




In addition to these moves they learned a block and a choke, and by the end of the workshop were able to choreograph their own short fight scenes featuring the moves they had learned.

The NextGen members had a great time learning about stage combat and fight choreography, even if it was more of a cardio workout then they had bargained for, they walked away excited by everything they had learned, and only a little exhausted.


Monday, November 4, 2013

NextGen talks CSC's Romeo & Juliet

Since Classic Stage Company opened Romeo & Julietall of the NextGen students have had the chance to see the play and offer their feedback. This entry will feature quotes from the student's personal responses to the performance. Across the board the students were  intrigued by the different way it captures this classic tale.Since most of the students saw the show during press weekend, they wrote their responses in the style of a review on the show.

DESIGN
“I absolutely loved the minimalist set design of the play. When a set has minimal props/furniture, the focus is especially on the acting. The play is no longer based on the extravagance, it is not blinded by the physical but rather by emotion exuded by the characters. The lack of props allowed the characters to shine, and it made the play phenomenal not because of the anything other than the amazing acting. I have always felt that true New York theater needs not extravagant props or set designs because of the high level of acting which is found here.” – Victor

“The bright pink lighting was just stunning and gave the entire set this beautiful glow.”- Loylia 

“When the music was playing, I notice how when an actor would speak, the music was lowered, but you can still hear the vibration almost as if you were in a night club and went to another room but would still hear the music playing and the beat vibrating off of the walls.” – Loylia

DIRECTION/STORYTELLING
 "Once broken down to its core, Romeo and Juliet is a simple love filled with the passions of youth transcending even death. The white walls gave the audience the ability to feel the emotions the actors gave the Shakespeare’s words beyond the costumes and extravagant backgrounds.” – Carla

"I felt that the separation of the Capulet and Montague supporters, divided by the prince, right in the start of the play gave me a solid understanding of who was who. Almost immediately, the conflict was clear and the story revolved very well around the conflict. I loved the modern humor that was added to the play."  -Angkur

“Another thing that I enjoyed was the use of several aspects of Hispanic culture in the play, as a Hispanic girl myself I really related to that, and found it hilarious.”-Kathia 

ACTING
"Both actors displayed the innocence and intensity a teenager would have falling in love. Olsen played a beautiful Juliet, proving how ravishing, yet headstrong her character could be. Likewise, Cihi did a great job playing a hopeless teenage romantic. The two were a true dynamic duo." -Caitlin

"Mercutio played by T.R. Knight was my favorite character in the show. I felt he brought a lot to the character and his death scene really entertained me in a way that I felt very upset when he died. I almost wanted to yell at Romeo myself for letting him be killed". -Shivani

"My favorite character was Mercutio! I think T.R Knight did a fantastic job of portraying his character; his transitions from sadness to anger, and confusion to mockery were flawless. If I could ask him one question it would be-Was there ever a time during the play where you’ve kind of lost yourself in this character- as twisted and cynical as he is?"- Quiana

OVERALL
Although all of the NextGen students were able to find at least one element of the production that interested them, there was still some criticism of the production, Shivani commented that she "did not feel the chemistry between Romeo and Juliet." and Caitlin commented that "I wouldn’t come running to see the play again, but I do encourage for people to go see it." However, even with some slightly mixed reviews, the majority of the kids ended their review with something along the lines of
"I would definitely recommend others to see this play because in a sum of three words, IT WAS AMAZING."- Loylia