Tuesday, April 30, 2013

Creating a Partnership: An Interview with Oana Botez, Costume Designer for Macbeth

Brought to you by Kathia, NextGen Member!

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With an interest in fashion and design, NextGen member, Kathia, knew immediately she needed to sit down and talk to the costume designer for MACBETH. Oana Botez has been a professional costume designer for years. Kathia describes Oana has as very cool, friendly, and funny.
Check out video footage from the interview!

I asked Oana about when her desire to learn about design and fashion sparked.  She said it was when she was a little girl in Romania she would watch her mother sew. One day her friend came to her and asked her to make a dress. So she did. She took the fabric cut it by eye and then sewed the pieces together (without previous experience). She said that it looked pretty good for being her first work. That was when it all started.

I wanted to know about how much of herself she puts into her work. Do she envision herself when she makes costumes for plays? She said that when designs she tries to leave herself out of the process, because she understands that she is not designing for herself but for the actors and the production.  She says that it’s usually fashion designers that ask themselves if they would wear what they design.
I wondered whether she preferred to design for films or for live theatre. Oana explained that she didn’t mind one more than the other. She appreciates both.

I wanted to her more about her process when coming up with a design. She explained that she doesn't really have a process because each project is completely different with various characters, themes, plots, etc.. So she doesn't really have a process. But she does always sit down with the directors to ask what they are looking for with each character and costume. It is together as a partnership that Oana creates the designs.
Lastly, I wanted to know if she ever dealt with an actor saying, “No! I'm not wearing that!".  She laughed and said all of the time!

Tuesday, April 23, 2013

Happy 449th Birthday, William Shakespeare!

Happy Birthday to The Bard!
Looking pretty good for 449, huh?

Shakespeare wrote 36 plays (based on the number of plays in the First Folio Folger Shakespeare Library). He was 52 years old when he died. If Shakespeare were still alive today and had continued writing plays at that rate, there would be about 310 of his plays in existence!

Shakespeare's plays were often a comment on the times of his day. What do you think he would write about today? What would the title be?






Friday, April 12, 2013

CSC'S First Annual Shakespeare Smackdown!

SHAKE SMACK: Watch Thy Back! 

Students from across NYC will soon come together for CSC's first annual Shakespeare Smackdown, a scene and monologue competition. After watching The Young Company, they will now have the opportunity to show off their own acting chops in selected scenes from MACBETH. Prizes, friendship, Shakespeare...what more could you ask for?! Will YOUR school be there?

NextGen members brainstorm ideas for the
SHAKE SMACK at their monthly meeting.

Melissa working on t-shirt logos for the upcoming event. 
Do you want to learn more about how theatre goes from page to stage? Interested in learning about how a theatre operates? Agree that meeting with professional artists is as cool as it sounds? Then maybe NextGen is for you! Click here to find out how to apply!

Tuesday, April 9, 2013

Discovering Lady M: An Interview with Actress Allison Minick

This interview was conducted by Kathia, a member of CSC's NextGen program. She has the opportunity to go behind the scenes of MACBETH, observe rehearsals and meet with cast members like Allison. Sound cool? It is!

Interested in becoming a NextGen member? Click here to find out how to apply for next season!


Meet Kathia, a member of CSC’s NextGen!

Name: Kathia

Grade: 11
Hobbies/Interests: I like the violin, piano, guitar, fashion, sports like volleyball and boxing, and drawing (surrealism). I love animals.

What aspects of theatre are you most interested in? I am interested in the design aspect and the acting.
What parts of the MACBETH rehearsal process are you most interested in telling other students about? Probably how good the plot is and how the actors make the play different. Also, I want to tell them how cool the costumes are, and how they will affect the play.


Kathia, interested in the strong female role of Lady Macbeth, was eager to ask Allison Minick, actress, a few questions about the character.

Allison Minick
How did you feel walking into this role? Did you do anything to prepare you for this? Did you do anything to help you become the best Lady Macbeth the earth has ever seen? I was so excited walking into this role! I love this play and this character! I made sure to get off book before we had to be memorized so that I wasn't worrying about remembering the words. I did a lot of in depth text analysis. I read a few different essays on the play, read different publications of the play, analyzed word choice, scansion, rhyme, imagery, etc. I did a lot of the more "studious" work first, so that once we got into rehearsal, I would know everything I could know from study and personal prep, and could just play and discover and explore on my feet and work with the others. I thought a lot about making things personal so that I could relate to her motivating factors, I focused on relationships (such as the love for my husband), and I explored her personal history so that I could empathize with her life and with her choices.

Who do you think is to blame for the tragedy? (Lady Macbeth, the witches/fate, Macbeth, the guards, Duncan... etc.) I think it's a combination of everyone. I don't think there's only one person to blame. Of course, Macbeth is the one who takes action and actually does the deed, but Lady M and the witches also have a strong hand in it. Their influence is extremely persuasive, so although I wouldn't say it's the witches of Lady M's fault, or ever say that Macbeth was a victim, they all hold deep responsibility, but just in varying degrees.
Allison, Lady M, in rehearsal.
How are you playing Lady Macbeth: sexy, bold, evil incarnate, funny, Machiavellian, psychotic, or other? What led to you to portray her this way? In a way I think she is all of those characteristics. I wanted to portray her as a human, and humans have most of those characteristics you mentioned (at least to some extent). I never want to play a character as a "villain" or an "evil person." I think she is often portrayed as an evil woman who is insane and manipulates men, which can be a bit misogynistic! Of course, she does and says evil and dark things and she's extremely flawed, but she's a real human being with intelligence, sexual drive, humor, insecurities, and confidence in public while having a mysterious private side. We rarely see her open up about how she's feeling because she's usually "on." She's playing the hostess or is working hard to accomplish an objective with her husband, etc. We rarely see her as who she truly is on more of a pure, vulnerable level. That side is definitely there, but is less open and exposed for the world to see. She's incredibly smart (but also makes mistakes), she's very sexy (and the language that she speaks reveals this), and she loves (and hates) deeply. I thought a lot about what her life must be like when Macbeth is away from battle. Her mind must be constantly stirring and scheming because, as a woman back then, she didn't have a 9-5 job, her husband was away and she never knew when he might be killed, so she was probably lonely and neurotic and volatile. Also, in my opinion, she deals with the loss of a child. I believe she's had a very traumatic, depressing past, but that she is still such a fighter and thinks towards the future. I think her ambition and her power over her husband and her sexual and emotional connection with her husband are the main things she has in her life. There's a desperation there. Even though she often seems very "in control" and brave, inside I think she knows a deep sadness and pain and that fuels her and causes her to throw her energy towards her husband and to the fight for the crown. She knows how to hide things very well.

Now after spending all of this time working on Lady Macbeth, do you see anything about Lady Macbeth in yourself?  I do. Of course, I'm not scheming for anything illegal and I'm not manipulative person, but I'm a human being too, just as she is, complete with goals, insecurities, flaws, mistakes, regrets, guilt, pain. She definitely has way more ambition and deception inherent in her. I work very hard and I have a lot that I want to do in my life, but in a much healthier, realistic way. Part of me is very outgoing and friendly and social, and the other part of me loves personal time to just have moments to myself and reflect. I love people and l love to get to know as many people as I can, but I also appreciate the quieter moments as well! So there's a side to me that many people don't see. Which I think is true for everyone! So I understand how she operates in public vs. private. And even though I haven't been through some of the things she has been though, I can imagine what it must be like and can empathize with her.

Monday, April 1, 2013

From Rehearsal to Stage: An Interview with John Garret Greer


This article was written by Christina, a member of CSC's NextGen program. Christina had the opportunity to go behind the scenes of MACBETH, observe rehearsals and meet with cast members like John. Sound cool? It is! 

Interested in become a NextGen member? Click here to find out how to apply for next season!


State Your Full Name for the record.

John Garrett Greer.

How can I describe John Garrett Greer? Well, he's easy to look at, that's for sure, but more importantly he's a phenomenal person with traits you find in a novel. He's really down to earth, and I'm lucky I got to talk to him for 30 minutes.

This interview went nothing like the way I planned. I was so nervous and I didn't know why. I wanted to go in there as "Christina", you know…funny, make a joke here, make him laugh there, but I froze up.

Great.

Dan (Macbeth, left) rehearsing with John (Banquo, right)
 while Blaze  (Malcolm) looks on in the distance.
Why are you an actor? What do you get out of acting? John says family. Perfect answer. His sister is an artist, his dad is an architect, and there are many dancers in the family as well. He's the only actor in the family. He feels like he has a connection to them by being an artist. It's in his blood. Through acting he is also learning about himself.

John's favorite part of acting is the rehearsal process. I had the chance to see him at rehearsal every Wednesday for a month. In my observations, I can see how much he enjoys the rehearsal process.

I asked him if there was a role that he hasn't played yet that he wants to in the near future.  He answers that he would like to play Biff from DEATH OF A SALESMAN, and Hamlet from Shakespeare’s HAMLET. In my opinion he would make a great Hamlet.

I asked him if there was a role he would like to play for years. He said nothing. Not one role.  He explained to me that he likes to "move on." In a way I agree with him. Maybe doing your favorite play is something you think you would like to do over and over again, but doing many shows and getting NEW experiences under your belt is an exciting career. His first possible answer was the musical ANYTHING GOES which he did in high school.

"He is Shakespeare," are his thoughts on the great man, "…amazing style of writing." One of John's favorites by Shakespeare is ROMEO AND JULIET (which I think makes him a really swell guy, and also a bit of a romantic!).

I asked him how Tony's direction and vision for MACBETH has been different from other Shakespeare he's done. He said it has been different. “Tony’s direction was intentional and specific down to when you take a breath. Tony has a really great creative team behind him, and that's what it takes.”

John likes the play MACBETH; in fact he says Banquo has been his favorite role to play thus far in his career.  Banquo lets faith take its course, and when tempted he doesn't take matters into his own hands. My feelings are similar to John's in that we believe everyone wants to be 'king' or they want something they can't or don't have. And most people fight, kill, steal and would sell their mother for that want, like Macbeth. But there are also people, like Banquo, who want to live an honest life. I think that's what John wanted to explain about Banquo. From what I know about John, I had an inclination that would be his answer! He tells me maybe he likes the play MACBETH so much because he's part Scottish. He adds that in high school he was interested in MACBETH because he heard it was Shakespeare's bloodiest play (you know how high school boys like that kind of thing!). 

His favorite character in the play is Lady Macbeth saying, "She's one of the strongest characters ever written." He also likes Malcolm as well. John's favorite part of the play is Macbeth's "Tomorrow, and tomorrow, and tomorrow" soliloquy. He says, "I could sit and try and learn that for years." 

I've seen him act; he can seem so serious one moment, so focused, so very into his role. But then instantly he can change into himself, joking. He is an amazing actor. What is it like for you up there? Not even this show, any show in front of a crowd?  "Terrifying…I'm also into what I'm doing…and right where fear is needed I can create it."

Then I got to learn more about him! He wanted to be in the field of physiology; he loves sports and physical activities. Last summer he tried skydiving.

"The second I walk in is the scariest part of an audition.” He says midway through a monologue he'll ask himself, "Am I doing this right?" and get sidetracked and think, "Did I leave the kitchen light on?"

What's that best part about acting? "Looking back on what you created…being a part of something great."

The hardest? "Becoming a professional actor…this is the hardest field to break into."

So you want act professionally? "Yes." he answered, I could see the determination on his face.

And my last and favorite question. What is it you know now that you wish you knew when you started? "That it all had to start with me…that I'm the most important component…to not shut my personality out." He goes on to say that he would watch his favorite actors play many different roles and wonder how they did it, they were like chameleons. He learned that being yourself is the key to being a chameleon.